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Ted Leo goes Broadway
Beauty. Favorite line: "He died because he didn't believe in the power of punk."
August 29, 2010 in Music | Permalink
Beauty. Favorite line: "He died because he didn't believe in the power of punk."
Reading
- Knut Hamsun: Tales of Love & Loss [BIO]
Listening
- Ted Leo: "Passion Is No Ordinary Word" [BIO]
Writing
- Wheatyard
(Kuboa Press) - "Prague, Oklahoma"
(Daddy Cool: An Anthology of Writing by Fathers For & About Kids) - "Pursuit"
(Skive) - "Mahalia"
(Midwestern Gothic) - "Tangled in Wishes"
(Journal of Microliterature) - "The Last Final Copy"
(On the Clock: Contemporary Short Stories of Work) - "Conned and Bruised"
(A Twist of Noir) - "One Son Resists"
(Green Lantern Press) - "Clean and Bright"
(Joyland) - "Button"
(Shoots and Vines) - "Alleys Are the Footnotes of the Avenues"
(Shoots and Vines) - "Moonlight"
(decomP) - "Quit These Hills"
(Big Pulp) - "Mercy Day"
(RAGAD) - "Deep in the Northwoods"
(Wheelhouse Magazine) - "Howard Holds Court"
(Birmingham Arts Journal) - "Waiting On a Train"
(RAGAD) - "Power"
(The Clarity of Night) - "Guaranteed"
(Spillway Review) - "Big Question"
(Boston Literary Magazine) - "This Time"
(55 Words) - "Immortality"
(THE2NDHAND) - "Freewheeling"
(Dogmatika) - "The Fixer"
(Gapers Block) - "Ralph's Last Call"
(The Angler) - "Can't Be Happy Today, But Tomorrow"
(Skive Magazine) - "Mighty Casey"
(Zisk) - "Ectoplasm"
(Storyglossia) - "Captions Without Photos"
(Gapers Block) - "Blown"
(Writer's Resource Center) - "Have A Pleasant Commute On Metra"
(This is Grand) - "The Retreat"
(monochrom) - Published Here:
"The Copper Responds"
"One Evening in St. Paul"
"The Lovely Miss Underwood"
"Insomnis"
"We Do Not Approve"
"The Ghoul's Evening Visit"
Various Microfiction
More Me
- Self-Deprecating Bio
- Photo Gallery
- Old Home Page
- Email Me: pete_anderson [at] comcast [dot] net
My Women
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- Richard Grayson
- What To Wear During an Orange Alert?
- Murmurings to the Masses
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Distant Worthies
- Last Plane to Jakarta
- Ben Katchor: Hotel & Farm
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Recent Reads
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Pop music and failed relationships - but still a letdown. -
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Deceptively light narrative that runs much deeper than it seems. Nicely done. -
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More polemic than novel, contrived narrative in service of the author's grand message. -
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Slow, ponderous, verbose, endlessly digressive. Not a classic. -
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Chaotic, propulsive, contemplative, visceral, devastating. Brilliant. -
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Strong 1955 short story anthology - Algren, McCullers, Wolfe... -
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Great subject matter, less than great presentation. -
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A hitman's compelling tale and surreal fate. -
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Love versus marriage, happiness versus obligation, scholarship versus real life. -
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Suburban story cycle of mostly empty lives. -
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- READINGS 2001-11
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Member since 07/2003
